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Nostalgic vintage Bollywood ...

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In many ways, this is the underlying message of Gulzar’s career-defining movie (he wrote and directed it) – that someone’s disability should be treated as just another aspect of their life, not ignored, but not pitied, ridiculed or bothered in any way. Their way of experiencing life might be different, but their experience is in no way less...

Actor par excellence :Sanjeev Kumar

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He died young but now lives forever. This could be the epitaph for Sanjeev Kumar who made versatility his nickname in a film career spanning two decades. Though it is said that they die young whom Gods love more, yet it’s sad that Sanjeev, who enacted dozens of unforgettable aged characters, did not live to see even fifty summers when there was still an immense reservoir of brilliance to be tapped. Very few could transcend limits of his histrionics.

Immortal Sanjeev

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बाबुजीने कहा गाव छोड दो। सबने कहा पारोको छोड दो। पारो ने कहा शराब छोड दो। तुमने कहा हवेली छोड दो ।एक दिन आयेगा जब सब कहेंगे ये दुनिया ही छोड़ दो..
And unlike his role in Three idiots, he actually looks like a hostel student

The Khans clan

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Big B

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In Hindi cinema, the 1950s is considered to be the Golden Era and even in an era dominated by such forces as Raj Kapoor, V Shantaram, Bimal Roy, Dilip Kumar, Dev Anand, B R Chopra, and Mehboob Khan, the name 'Guru Dutt' was spoken with respect. Of course, like the filmmaker he's most often compared to — Orson Welles — Dutt's work started getting its due only after his tragic death.

The Directors

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Lalita Pawar started her career at a tender age of nine with YD Sarpotdar's Raja Harishchandra. She appeared in 700 movies. During the shooting of film Jung e Azadi the hero Master Bhagwan slapped in a shot rather more hard As a result the vein in her left eye ruptured. She developed permanent injury to left eye. She therefore switched from lead roles to character roles. Her roles in Sri 420, Anaadi,Anand and professor are unforgettable.To top it all was her role in TV series Ramayan as Manthara

Character Artists

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Randhir Kapoor, Ritu Kapoor nanda and Rhishi Kapoor at the time of shooting of the iconic romantic song in Shri 420

Youth icon : Rhishi Kapoor

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Remembering Kalyanji Virji Shah of music composers Kalyanji-Anandji on his death anniversary. The two brothers migrated from Kutch to Girgaon in Mumbai and helped run their family provision store, before Kalyanji debuted as Hemant Kumar's assistant. Their debut movie as composer was Parasmani which was a raging hit. From there, KA duo never looked back and gave many musical gems that still enthral the listeners.

The Music Composers

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The Comedians

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Yamla Jat is a pre-partition Punjabi film directed by Moti B. Gidwani, released in 1940. It starred M. Ismail, Noor Jehan and Pran in lead roles. The music is composed by Ghulam Haider and lyrics written by Wali Sahib for playback singers Noor Jehan and others
Onscreen, Jeevan may be making the life of hero, heroine and their families a hell, but the above snap reveals the kinder side of his persona. He was truly a family man. As per his admission in Tabassum's " Phool khile hai Gulshan Gulshan", Jeevan played the character of Narad Muni 49 times. The record that remains unbroken till date.

The Villains

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Joy Mukherjee
Joy Mukherjee in Love in Tokyo

Playboy Joy Mukherjee

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Rajashree appeared with Shammi in only two movies, Bramachari and Janwar. She then married to an American Greg Chapman and settled in America

Junglee Shammi

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The story goes that Dharmendra tried to flirt with Tanuja while shooting the film. The shocked Tanuja was so enraged that she slapped Dharmendra and threatened to tell his wife about his flirting. Ashamed Dharmendra begged Tanuja to forgive him and persuaded her to tie rakhee thread.
The family drama had madan mohan as it's music director. The songs ' Mai Nigahein tere chehre se hataaoon kaise' by Rafi and ' Agar muzse mohabbat hai' by Lata Mangeshkar were highlights of the film.
Two sisters (Tanuja and Mala sinha) deeply in love with same man (Dharmendra). Baharein Phir bhi aayegi is a typical love triangle in which the two sisters compete with each other for sacrifice. The otherwise average film is saved by O. P Nayyar's impressive soundtrack. The songs ' Badal jaye Agar Mali', ' Apte hasin rook pe', ' Koi kah de kah de' ' Woh hanske mile' had OPN written all over them.

Garam Dharam

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Dadamuni:Ashok kumar

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Bharat Bhushan and Chand Usmani in film Amanat 1955
Bharat Bhushan

Bharat Bhushan

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Shashi Kapoor, a true legend Legends never die. They are remembered for their greatest works, for their timeless contributions that have benefited mankind. Shashi Kapoor who has left an indelible mark with his cinema continues to live in people’s hearts.

Handsome persona : Shashi kapoor

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The plot of the movie is absolutely modern and was much ahead of its times when it was made in 1965. All characters in the movie are contemporary and fresh. The movie is clean and engaging.  Dev Anand is not three timing or fooling his heroines. One is homely, one is an actress and one is a high society woman. The high society woman also promises Devdutt a brilliant career, yet, Dev does not go astray. Climax, shot in color, reveals to whom Dev marries finally. A film not to miss...

Debonair Dev Anand

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The Thespian :Dilip Kumar

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In 1976, while he was on tour in a city in America, he suddenly suffered a heart attack during a concert. On August 27, Mukesh suddenly left this world. Bollywood was deeply shocked by his sudden passing. No one could believe that Mukesh would leave like this. However, his death had given the deepest shock to Raj Kapoor. When Raj Kapoor came to know about Mukesh's death, he said, 'Now my voice is gone...'.
Based on a Bengali play, " En Din Ratre", Jagte Raho sheds light on the duplicity of corruption infested and morally defunct society. Raj Kapoor has very few dialogues in the film, save for long monologue at the end about the hypocrisy of the amoral society. However the film ends on optimistic notes, that there is certainly light at the end of the dark tunnel. The bhajan 'Jaago Mohan Pyaare' ushers in a new day and a sense of hope, taking forward the symbolism of light and darkness in the film.

Blue eyed Angel :Raj Kapoor

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SAPNON ka Raahi :Rajesh Khanna

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Zanjeer was a trendsetter film. It replaced romance with violence in Bollywood. An angry young man with grudge against the corrupt society became a popular theme later on. Amitabh's role was initially offered to eccentric Rajkumar who refused it. It then was offered to Dharmendra, Devanand. Both refused it (No song to Hero). Finally Pran suggested Amitabh's name. The rest is history

Shahenshah Amitabh

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