Museum photography

In December 1849, John Whipple made his first photograph of the moon, a daguerreotype taken through the telescope at the Harvard College Observatory in Cambridge. Although he did not make the first lunar photograph in America, in terms of accuracy and aesthetics Whipple produced what were internationally recognized as the most sublime photographs of the moon

In December 1849, John Whipple made his first photograph of the moon, a daguerreotype taken through the telescope at the Harvard College Observatory in Cambridge. Although he did not make the first lunar photograph in America, in terms of accuracy and aesthetics Whipple produced what were internationally recognized as the most sublime photographs of the moon

regardintemporel: “ Albert Renger-Patzsch - Proclamation, sculpture (1924) by Georg Kolbe, in the Behnhaus museum garden, Lübeck; Regenpfeifer (plover), ca. 1927 ”

Dora Maar (Henriette Theodora Markovitch). Untitled. c. 1935. Gelatin silver print. 11 3/4 × 9 3/16" (29.8 × 23.4 cm). Robert and Joyce Menschel Fund. 315.1993. © 2019 Dora Maar Estate/Artists Rights Society (ARS), New York/ADAGP, Paris. Photography

“Your photographs will make the world understand my Balzac,” Rodin said eagerly in 1908, when Edward Steichen showed him the nocturnal Balzac series. Rodin had not forgotten the scandal that broke out in 1898 over the work he considered the very essence of his aesthetic . Rodin’s statue had made a big impression on the young Pictorialist photographer, when he was still living

Posts about Henry Moore written by https://tfeanda.wordpress.com, https://tfeanda.com/

1914 "Goliath" by LEON INDENBAUM 1890-1981. Old photo of a monumental sculpture in marble (Collection of the Museum of Art and History of Judaism - Paris)

Portrait of Lady Ottoline Morrell by George Charles Beresford, 4 June 1903

'Photography in its Birthplace' at the Fox Talbot Museum | Firefoot (from Santambrogio's series ‘Henry’s Butterflies’) ; Claudio Santambrogio

Alfred Stieglitz. Scurrying Home. 1894 | MoMA

DORA MAAR (French, 1907-1997), Untitled (Peerless Queen), circa 1940, Vintage gelatin silver

Dora Maar (Henriette Theodora Markovitch). Untitled. c. 1934. Gelatin silver print. 15 3/4 × 11 5/8" (40 × 29.6 cm). Horace W. Goldsmith Fund through Robert B. Menschel. 777.1998. © 2019 Dora Maar Estate/Artists Rights Society (ARS), New York/ADAGP, Paris. Photography

PAUL STRAND and ALFRED STIEGLITZ, et alia. CAMERA WORK, Number 48. Edited by Alfred Stieglitz. With 14 (of 15) plates, comprising 6 photogravures after works by Paul Strand, including Wall Street, and one each after photographs by Arthur Allen Lewis and Francis Brugiere, as well as 6 halftones by Alfred Stieglitz of installations at 291, including the Brancusi Sculpture, Picasso-Braque, Nadelman, German and Viennese Photography, and the "Negro Art" exhibitions. 4to, original printed gray…

Brenton Hamilton

Clarence Kennedy (1892-1972), gelatin silver print | An Unknown Lady; Wood: Number 622; The Louvre, Paris. Florentine School. Who, 1928