Lilibeth Cuenca Rasmussen’s extreme paintings take on a performance quality: great sweeping actions as hair is dipped in ink; her whole body a painting tool. This work is an interpretation of Janine Antoni’s ‘Loving Care’, in which Antoni soaked her hair
PERFORMANCE ART 'Transfiguration', Olivier De Sagazan The story of a failure. The inability of a painter-sculptor to give life to his work. In a desperate gesture, the painter goes under the clay to give his life.
Angie Hiesl’s X-Times People Chair: the artist perches senior citizens three to seven meters above the rest of us, where they simply pretend to go about the business of their ordinary daily lives: folding laundry, reading the newspaper, or having a snack.