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(17) Amy Bilden This is in the same family as many of EVa Hesse's works. Exploring unnatural materials and creating almost life like organic forms. The weight of the concrete, the color of the nylon and the curve of the string are beautiful.

Amy Bilden This is in the same family as many of EVa Hesse's works. Exploring unnatural materials and creating almost life like organic forms. The weight of the concrete, the color of the nylon and the curve of the string are beautiful.

Eva Hesse Ennead, 1966 Acrylic, papier mâché, plastic, plywood, and string 96 x 39 x 17 inches 244 x 99 x 43 cm Collection of Barbara Lee, Cambridge, Massachusetts Photo by Abby Robinson, New York ©The Estate of Eva Hesse, courtesy of Hauser & Wirth

Weaving a Bridge Back to Fiber Sculpture's Unraveling History

"Weaving a Bridge Back to Fiber Sculpture’s Unraveling History"

Eva Hesse - Untitled (“Rope Piece”) - Pictify - your social art ...

Eva Hesse: Untitled (Rope Piece), 1970 - Whitney Museum of American Art (Source)

Installation view of “Accretion” created in 1968.

Stunning Vintage Photos Reveal The Brief Life Of Artist Eva Hesse

Even though the American artist& life was tragically cut short at Hesse stood out in the for her use of discarded materials to create organic forms, while her predominately male contemporaries were making rigid minimalist sculpture.

Janine Antoni, "to coalesce" (2014) (photo by author)

A Black-and-White Gallery Tour of Chelsea

Thierry Martenon

Thierry Martenon

Eva Hesse with her 1968 reliefs An Ear in a Pond and 2 in 1 “Eva Hesse [1936-1970] was a highly experimental artist who continually challenged the conventions of her time. For Hesse, drawing …

Eva Hesse with her 1968 reliefs An Ear in a Pond and 2 in 1 “Eva Hesse was a highly experimental artist who continually challenged the conventions of her time. For Hesse, drawing …

Penelope Project , phyllis sullivan

Penelope Project , phyllis sullivan

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