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DOCUMENTO DEL TRATADO DE ALMIZRRA-XÀTIVA LIMITES TERRITORIALES 1244. PROBABLEMENTE ESCRITO EN SU PAPEL.

DOCUMENTO DEL TRATADO DE ALMIZRRA-XÀTIVA LIMITES TERRITORIALES 1244. PROBABLEMENTE ESCRITO EN SU PAPEL.

Dibujo, Ribera Jusep

José Ribera, el Españoleto en el Museo del Prado

Jusepe de Ribera (Spanish, Samson and Delilah, mid- Black and red chalk with traces of pen and brown ink.

“Ribera. Maestro del dibujo” en el Museo del Prado de Madrid

Samson and Delilah José de Ribera Black and red chalk with traces of pen and brown ink, 280 x 397 mm.

Jusepe de Ribera David and Goliath (1624) “ Ribera’s preparatory drawing for a now-lost painting demonstrates the two-chalk technique. Delicate strokes in red chalk indicate areas of flesh and Goliath’s belt. Black chalk carefully calibrates shadows....

Jusepe de Ribera David and Goliath “ Ribera’s preparatory drawing for a now-lost painting demonstrates the two-chalk technique. Delicate strokes in red chalk indicate areas of flesh and Goliath’s belt.

José Ribera

Santo atado a un árbol, José de Ribera, Sanguina, 232 x 170 mm, © The Trustees of the British Museum

Jusepe de Ribera (Spanish, 1591-1652), Study for Martyrdom of St. Sebastian, ca. 1626. Red chalk on paper. William Lowe Bryan Memorial, Indiana University Art Museum

Jusepe de Ribera (Spanish, Study for Martyrdom of St. Sebastian, ca. Red chalk on paper.

Jusepe de Ribera  Boy with a Pinwheel and an Old Man Pulling a Cart with a Corpse (ca. 1640)  Museo del Prado, Madrid, Spain

Jusepe de Ribera Boy with a Pinwheel and an Old Man Pulling a Cart with a Corpse (ca.

José de Ribera. Sileno ebrio. 1628. Art History News: October 2012

The Drunken Silenus: the god is lying on the ground, holding his cup up for wine; Pan crowns him with wreath; head of an ass and two drunken putti to right, two satyrs peeping to left and a barrel beyond. 1628 Etching with engraving

Boy with a Pinwheel and an Old Man Pulling a Cart with a Corpse on it José de Ribera Pen, brown ink and brown wash; traces of black chalk added at a later date, 235 x 170 mm. Early 1640´s Madrid, Museo Nacional del Prado

Boy with a Pinwheel and an Old Man Pulling a Cart with a Corpse on it José de Ribera Pen, brown ink and brown wash; traces of black chalk added at a later date, 235 x 170 mm.

Jusepe de Ribera  Saint Michael the Archangel Vanquishing the Devil (1626-30)  Museo de Bellas Artes de Córdoba, Spain

Jusepe de Ribera Saint Michael the Archangel Vanquishing the Devil (1626-30) Museo de Bellas Artes de Córdoba, Spain

Standing Girl

Standing Girl

artist-schiele: “ Standing Girl in a Plaid Garment, Egon Schiele Size: cm”

José de Ribera, "Man Bound to a Stake", ca. 1640–1645. Pen And Brown Ink And Brown Wash On Tan Laid Paper Mounted To Heavier Sheet, 215 x 163 mm. De Young, Legion of Honour © 2014–2016 Fine Arts Museums of San Francisco

José de Ribera, "Man Bound to a Stake", ca. Pen And Brown Ink And Brown Wash On Tan Laid Paper Mounted To Heavier Sheet, 215 x 163 mm. De Young, Legion of Honour © Fine Arts Museums of San Francisco

«Sansón y Dalila», de José de Ribera.Lápiz negro y sanguina con trazos de tinta parda a pluma, mediados de 1620

Los mejores trazos de un genio del dibujo

«La Crucifixión de San Pedro», deJosé de Ribera. Pincel, tinta roja sobre sanguina, mediados de 1620

Los mejores trazos de un genio del dibujo

«La Crucifixión de San Pedro», deJosé de Ribera. Pincel, tinta roja sobre sanguina, mediados de 1620

Jan Harmensz. Muller | Roof van een Sabijnse vrouw, vooraanzicht, Jan Harmensz. Muller, Adriaen de Vries, 1596 - 1600 | Een Romein rooft een Sabijnse vrouw. Vooraanzicht van een wasmodel van beeldhouwer Adriaen de Vries.

Jan Harmensz. Muller | Roof van een Sabijnse vrouw, vooraanzicht, Jan Harmensz. Muller, Adriaen de Vries, 1596 - 1600 | Een Romein rooft een Sabijnse vrouw. Vooraanzicht van een wasmodel van beeldhouwer Adriaen de Vries.

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