ALLEMANDE The allemande dance, March 20, 1772, Lewis Walpole Library Digital Collection. El término alemanda proviene del francés allemande, y se utiliza para denominar cierta danza alemana barroca (siglo XVIII) de compás cuaternario o binario y simple, así como para denominar un elemento estándar de la suite, normalmente el primero o segundo movimiento. También se puede denominar Allemanda, Almán o Almaín. La allemande es una composición que utiliza el recurso de repetición por secciones o…

ALLEMANDE The allemande dance, March 20, 1772, Lewis Walpole Library Digital Collection. El término alemanda proviene del francés allemande, y se utiliza para denominar cierta danza alemana barroca (siglo XVIII) de compás cuaternario o binario y simple, así como para denominar un elemento estándar de la suite, normalmente el primero o segundo movimiento. También se puede denominar Allemanda, Almán o Almaín. La allemande es una composición que utiliza el recurso de repetición por secciones o…

English Historical Fiction Authors: Dancing the Night Away...  Oh, how could I NOT share a dance article! ;)

English Historical Fiction Authors: Dancing the Night Away... Oh, how could I NOT share a dance article! ;)

Marie Anne de Cupis de Camargo sometimes known simply as La Gorda Camargo, was a French/Belgian dancer. The first woman to execute the entrechat quatre, Camargo was also responsible for two innovations in ballet as she was the first dancer to wear slippers instead of heeled shoes, and she was the first female to wear the short calf-length ballet skirt and the now standardized ballet tights.

Marie Anne de Cupis de Camargo sometimes known simply as La Gorda Camargo, was a French/Belgian dancer. The first woman to execute the entrechat quatre, Camargo was also responsible for two innovations in ballet as she was the first dancer to wear slippers instead of heeled shoes, and she was the first female to wear the short calf-length ballet skirt and the now standardized ballet tights.

Homme en habit de ballet Description : Recueil : "Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 50, Pièces 4532-4594, période : 1670-1671". Henin 4565. Auteur : Lepautre Jean (1618-1682) Graveur français Crédit photographique : (C) BnF, Dist. RMN-Grand Palais / image BnF Utilisation : Période : 17e siècle, période moderne (Europe occidentale) Localisation : Paris, Bibliothèque nationale de France (BnF)s 453...

Homme en habit de ballet Description : Recueil : "Collection Michel Hennin. Estampes relatives à l'Histoire de France. Tome 50, Pièces 4532-4594, période : 1670-1671". Henin 4565. Auteur : Lepautre Jean (1618-1682) Graveur français Crédit photographique : (C) BnF, Dist. RMN-Grand Palais / image BnF Utilisation : Période : 17e siècle, période moderne (Europe occidentale) Localisation : Paris, Bibliothèque nationale de France (BnF)s 453...

Looks like the dance beginning, probably a waltz

Looks like the dance beginning, probably a waltz

“Takes Lesson in Dancing” from 1821, by John Careless

“Takes Lesson in Dancing” from 1821, by John Careless

Painting of Couples Dancing the Minuet

Painting of Couples Dancing the Minuet

‘Grown Gentlemen taught to Dance’ 1768. After John Collet

‘Grown Gentlemen taught to Dance’ 1768. After John Collet

018-george-cruikshank-theredlist.jpg (800×656)

018-george-cruikshank-theredlist.jpg (800×656)

Regency-era evening wear  (From living read girl: An invite to Jane Austen's birthday dance party)

Regency-era evening wear (From living read girl: An invite to Jane Austen's birthday dance party)

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