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Dionisio González

pickledesign: “A visualisations from Dauphin Island, a fascinating series of fantasy architecture by architect and photographer Dionisio González.

dionisio-gonzalez-architecture-for-resistance-designboom-10

Elegant industrial concept buildings imagined to withstand incessant natural disasters

ontemporary art gallery yusto / giner presents ‘architecture for resistance’, the first solo exhibition of spanish artist dionisio gonzález in malaga

Nine Floating Fountains • Osaka, Japan • by Isamu Noguchi—cool fountain—looks like it's taking off for space❣ Arch2O.com

Fountain by Isamu Noguchi for the 1970 Osaka World Expo. This was one of nine fountains he designed for the Expo. “One day…I had a vision: I saw the Earth as sculpture.” Noguchi often said that the space around a thing is as important as the thing itself.

Galeria de Arte e Arquitetura: arquitetura para a resistência, por Dionisio González - 3

Galeria de Arte e Arquitetura: arquitetura para a resistência, por Dionisio González - 3

Galerie Richard specializes in contemporary art and represents emerging and established artists from.

Картинки по запросу супрематизм в архитектуре

dionisio gonzález brings us his latest series 'trans-actions', a set of imaginary architectural realizations which beckon the question - are these structures contemporary habitable spaces or ruins of a former landscape now forgotten?

Some spots are such beautiful potential locations for a home, yet repeated natural disasters make them inhospitable for all but the strongest and most durable of dwellings. Architect Dionisio Gonzales imagines just how creative we could get in building disaster-proof structures with ‘Architecture for Resistance,’ a series of surrealist fantasies that often take their cues from natural shapes like shells.

In his first solo exhibition, titled ‘Architecture for Resistance,’ Spanish artist Dionisio González has focused on designing concept homes made specifically

Картинки по запросу супрематизм в архитектуре

dionisio gonzález brings us his latest series 'trans-actions', a set of imaginary architectural realizations which beckon the question - are these structures contemporary habitable spaces or ruins of a former landscape now forgotten?

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