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Femme surchargée (2005) by Pierre Bodo - Pigozzi Collection 2013 - Contemporary African Art Collection

Femme surchargée by Pierre Bodo - Pigozzi Collection 2013 - Contemporary African Art Collection. This is an example of native American art.

Left: Kehinde Wiley; Sharrod Hosten, “After Sir Anthony van Dyck’s ‘Le Roi à la Chasse,’” published by powerHouse Books Right: Sir Anthony van Dyck (1599-1641), “Le Roi à la Chasse”

Brilliant artist Kehinde Wiley gives traditional paintings a fresh new look with his series, Black Light.

Bildresultat för troll john bauer

John Bauer - illustrations from: The Four Big Trolls and Little Peter Pastureman by Cyrus Graner

Pam Hawkes... | Kai Fine Art

Kai Fine Art is an art website, shows painting and illustration works all over the world.

Kehinde Wiley-hot-wires the studied attitudes and dramatic backdrops of Old Master portraits with a Day-Glo palette and a hip-hop sensibility, creating a radical artistic mash-up that has been praised as hip, provocative, and technically brilliant.

Kehinde Wiley - Contemporary Artist - Figurative & Rococo Painting - Radical artistic mash-up Style

Kehinde Wiley: Shantavia Beale II | February 20–May 24, 2015 | Morris A. and Meyer Schapiro Wing and Iris and B. Gerald Cantor Gallery, 5th Floor

Kehinde Wiley, Shantavia Beale II, (Photo: Jason Wyche courtesy Sean Kelly, New York, via the Brooklyn Museum. Kehinde Wiley will receive the US State…

nakimuli:  love kehinde’s work. ____________________________________________________ buttahlove:  blackgirlphresh:  kehinde wiley is the truth.   One of my favorite artists.

nakimuli: love kehinde’s work. ____________________________________________________ buttahlove: blackgirlphresh: kehinde wiley is the truth. One of my favorite artists.

Kehinde Wiley's Michael Jackson portrait

Equestrian Portrait of King Philip II (Michael Jackson), 2010 by Kehinde Wiley. Courtesy of Stephen Friedman Gallery, London and Sean Kelly Gallery, New York

AN ECONOMY OF GRACE | Kehinde Wiley Studio

Kehinde Wiley’s Muses As They First Appeared, On Canvas, In Ena Johnson. Photo: Jason Wyche/Courtesy of Sean Kelly, New York

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