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Francisco de Goya: “Nadie se conoce”. Serie “Los caprichos” [6]. Etching and aquatint on paper, 214 x 152 mm, 1797-99. Museo Nacional del Prado, Madrid, Spain

Museo del Prado - Goya - Caprichos - No. 06 - Nadie se conoce (Nobody knows himself)

El Vergonzoso by Francisco Goya

The shy man : Francisco Goya : Romanticism : capriccio - Oil Painting Reproductions

Francisco de Goya: “Aguarda que te unten”. Serie “Los caprichos” [67]. Etching, aquatint and drypoint on paper, 214 x 149 mm, 1797-99. Museo Nacional del Prado, Madrid, Spain

Francisco de Goya: “Aguarda que te unten”. Serie “Los caprichos” [67]. Etching, aquatint and drypoint on paper, 214 x 149 mm, 1797-99. Museo Nacional del Prado, Madrid, Spain

Francisco de Goya: “Bellos consejos”. Serie “Los caprichos” [15]. Etching, aquatint and burin on paper, 215 x 151 mm , 1797-99. Museo Nacional del Prado, Madrid, Spain

Goya/ “Bellos consejos” “Los caprichos” Etching, aquatint and burin on paper, 215 x 151 mm

Francisco de Goya: “Subir y bajar”. Serie “Los caprichos” [56]. Etching and aquatint on paper, 214 x 151 mm, 1797-99. Museo Nacional del Prado, Madrid, Spain

Francisco de Goya: “Subir y bajar”. Serie “Los caprichos” [56]. Etching and aquatint on paper, 214 x 151 mm, 1797-99. Museo Nacional del Prado, Madrid, Spain

Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). There it goes (Allá vá eso), from The Caprices (Los Caprichos), plate 66, 1799. The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(66)) #Halloween

Goya (Francisco de Goya y Lucientes) (Spanish, There it goes (Allá…

Francisco de Goya y Lucientes - Girl Listening to a Guitar. N.d., between 1796 and 1797

Francisco Goya, Girl Listening to a Guitar Indian ink wash, 170 x 99 mm on ArtStack

In 1799 Francisco de Goya y Lucientes (1746-1828) published a series of 80 prints called 'Los Caprichos'. [Look+How+Solemn+They+Are!+(Caprichos,+no.+63+Miren+que+grabes!).jpg]

In 1799 Francisco de Goya y Lucientes published a series of 80 prints called 'Los Caprichos'. In his masterly hands the aquatint etching technique cloaks the line art with subtle and varying tonal effects.

Francisco de Goya: “Muchachos al avío”. Serie “Los caprichos” [11]. Etching, aquatint and burin on paper, 215 x 152 mm , 1797-99. Museo Nacional del Prado, Madrid, Spain

Francisco de Goya: “Muchachos al avío”. Serie “Los caprichos” [11]. Etching, aquatint and burin on paper, 215 x 152 mm , 1797-99. Museo Nacional del Prado, Madrid, Spain

Francisco de Goya - El vergonzoso, 1799. Los Caprichos nº 54.

Francisco de Goya - El vergonzoso, 1799. Los Caprichos nº 54.

goya

Francisco de Goya, Regozijo, Witches and Old Women Album, ca. – New York, The Hispanic Society of America

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