Caracola Magica
Más ideas de Caracola
Julio Cortazar

INSTRUCCIONES PARA LLORAR Dejando de lado los motivos, atengámonos a la manera correcta de llorar, entendiendo por esto un llanto que no ingrese en el escándalo, ni que insulte a la sonrisa con su...

More Angie Lewin - fascinating fact . . . she uses a wooden spoon to burnish her designs which she prints onto Japanese paper (this absorbs the ink well)

More Angie Lewin - fascinating fact . . . she uses a wooden spoon to burnish her designs which she prints onto Japanese paper (this absorbs the ink well)

薔薇の花の枯れた時をおそれる   “I am afraid time came when roses to wither”, 2010  Yuko Someya  pencil, lithograph ink, chinese ink, Japanese paper on canvas mounted on wood panel  150.0 x 120.5 cm

薔薇の花の枯れた時をおそれる “I am afraid time came when roses to wither”, 2010 Yuko Someya pencil, lithograph ink, chinese ink, Japanese paper on canvas mounted on wood panel 150.0 x 120.5 cm

Yanagawa Shigemasa (Japanese, 18th–19th century). Peonies and Iris, 18th–19th century. Japan. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2176) #iris #flower

Yanagawa Shigemasa (Japanese, 18th–19th century). Peonies and Iris, 18th–19th century. Japan. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (JP2176) #iris #flower