Business headshot lighting setup

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When acquiring a Business Portraiture client it’s always best to know before hand how the client will use the image so you can light accordingly.

Behind the scenes of corporate headshots with award winning wedding photographer, Terry Gruber

Learn These Three Lighting Setups for Headshot Photography #fstoppers #Gear #Lighting #Portraits

Studio lighting can be a scary thing if you haven’t used it before. It’s not as scary as you might think! Home studios can be set up with minimal gear but still create a big impact. Here are 5 lighting setups all done with just one light, one modifier, one reflector, and one v-flat. You don’t need to have a huge space to shoot these setups I’m going to discuss. You don’t have to go spend a ton on this gear starting out either! When I started my studio, I shot with lighting that was under…

Nikki Closser is the leading authority on personal branding photography. Get her constant light setup for your on location headshots!

... one hair light on camera left to give some hair and jaw line shape, and one background light which is hiding behind the fill reflector.

- Rembrandt light - Split light - Broad light - Butterfly light - Loop light

Here are five quick studio lighting setups you can use with one light to capture a variety of portraits in under 10 minutes.

One of the best ways to have great light is to create it, with article will cover the basics of the king of lighting, the softbox.

If you’re looking for some creative three light portrait ideas, I’ve put together three different setups you can add to your arsenal. These setups use only basic modifiers and show effective techniques that can help add three-dimensionality to an image. Get a little help with our two light portraiture classes and useful lighting setups and diagrams for two light portraits.

Have you ever bought a piece of gear that promised to revolutionize your work or be the exact tool you needed just to find that it was a total dud? We all have those pieces sitting at the bottom of our gear closet that irk us every time they come in view. Alternately, we also all have pieces that have become our indispensable go-to’s that we can’t image shooting without. I