white shirt | floral midi skirt

Women's Daily Knee Length Skirts, Cute A Line Silk Polyester Others Floral Spring Summer

Sheinside White Multi Floral Print Full Midi skirt chiffon white blouse shirt top chemise ponytail hair hairstyle for spring summer and heel pumps

Dress, 1925. Blue silk crepe, embroidered with bugle beads, white and pink iridescent faux pearls, and metallic gold point crochet. Flower on left side of skirt is silk chiffon. Musée Galliera, Musée de la Mode de la Ville de Paris

Dress, Blue silk crepe, embroidered with bugle beads, white and pink iridescent faux pearls, and metallic gold point crochet. Flower on left side of skirt is silk chiffon.

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Three-piece bustle dress (jacket, skirt, underskirt), ca. 1875, of gray faille with underskirt and trim of dark blue velvet. North Carolina Department of Cultural Resources

[General background] Three-piece bustle dress (jacket, skirt, underskirt), ca. of gray faille with underskirt and trim of dark blue velvet. North Carolina Department of Cultural Resources

Evening gown, Joseph, New York, 1913. Royal purple panné silk with short-sleeved silk lace V-neck bodice asymmetrically draped in gold metallic mesh. High jeweled midriff band with clear center and magenta paste butterfly. Hobble skirt layered over short train. Whitaker Auctions

Evening gown, Joseph, New York, Royal purple panné silk with short-sleeved silk lace V-neck bodice asymmetrically draped in gold metallic mesh. High jeweled midriff band with clear center and magenta paste butterfly. Hobble skirt layered over short train.

Reception gown for summer, circa 1902. Ivory cotton netting with Cluny lace in a floral pattern, with embroidered vines.

2, Totally Delicious Cluney Lace Reception Gown 1906

I'd love to sew this lovely gown for a fantasy tea. Reception gown for summer, ca. Ivory cotton netting with Cluny lace in a floral pattern, with embroidered vines. via Extant Gowns

Visiting gown, M. Vignon, Paris, ca. 1870s. Fashionable designer known for his wedding gowns. Silk piping & bows on the cutout sleeves, bow at throat with vertical panel at center front covering hook & eye closure but also button & button holes. Heavy skirt with rows of gathered swags trimmed in silk fly fringe, piped & trimmed box pleats & petals, with bow & streamer at the long box-pleated train. Carolyn Forbes Textiles/ebay

Visiting gown, M. Vignon, Paris, circa Fashionable designer known for his…

Evening dress with tiered chiffon skirt, American, ca. 1929. Made for movement & dancing. Three layers of silk chiffon cut with handkerchief hem, with many points hanging down from substantial width of beading. Above this floating base, bodice hangs smooth & straight. Silver bugle beads & rhinestones. Smith College Historic Clothing

Evening dress with tiered chiffon skirt, American, ca. Made for movement & dancing. Three layers of silk chiffon cut with handkerchief hem, with many points hanging down from substantial width of beading. Above this floating base, bodice hangs smooth

Dress belonging to Empress Maria Fyodorovna, by the fashion house of Charles Worth, Paris, 1890s. Velvet, satin, lace, silk and metal thread. The dress comes with two bodices - one  for evening, the other for day (shown here). State Hermitage Museum, via Tea Time at Winter Palace's Tumblr. CLICK FOR LARGER IMAGES.

Vintage Gown by House of Charles Worth * Belonged to Empress Maria Fyodorovna

Wedding gown, Worth, 1878. Boned bodice with deep center front busk point & basque tails. Undersleeve is ivory satin; upper sleeve is net covered w/pearl appliqués. To create slashed effect, satin bands applied over pearls. Self-fabric strips sewn over bands to simulate knots. Ivory satin cockades at elbows. Plain weave silk backing. Skirt front backed with silk taffeta. Two layers of self fabric used to create bustle. Museum of the City of New York

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Wedding gown, Worth, Boned bodice with deep center front busk point & basque tails. Undersleeve is ivory satin; upper sleeve is net covered pearl appliqués.

Wedding dress, American, ca. 1885. Cream silk satin, Rosepoint lace. Bodice has square neckline, lace trim, elbow-length sleeves, long train. Skirt has satin ruched in front, lace swags over hips, small pleated ruffles trim at hem. Kent State Univ. Museum

Pinning this 1885 American wedding dress purely for the little lace skirt below the bodice. I must remember that for design reasons!

Rose pink evening gown, 1910, silk satin. In the Aesthetic style, high waist, bead- and pearl-trimmed bands that criss-cross around bustline. Trained skirt, long Renaissance-style cream chiffon sleeves with pearl & bead edges. Small matching shield-shaped evening bag. Augusta Auctions

In the Aesthetic style, high waist, bead- and pearl-trimmed bands that criss-cross around bustline. Trained skirt, long Renaissance-style cream chiffon sleeves with pearl & bead edges.

The skirt. I also need to find a button up that fits well. Love the cuff

How to Dress For Work During Summer

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