Bauhaus

Bauhaus Movement | Famous Design and Architecture  #Bauhaus #Design #Architecture

Bauhaus Movement | Famous Design and Architecture #Bauhaus #Design #Architecture

i really like how they translated the lines of the dancers body into such a simple but beautiful drawing

i really like how they translated the lines of the dancers body into such a simple but beautiful drawing

Revista de la Bauhaus, con la silla Vassilly de Walter Gropius en la portada. Siglo XX.  #Esmadeco.

Revista de la Bauhaus, con la silla Vassilly de Walter Gropius en la portada. Siglo XX. #Esmadeco.

Fascinating illustration! The clean color blocks mixed with the grainy textures creates nice contrast.

Fascinating illustration! The clean color blocks mixed with the grainy textures creates nice contrast.

Wassily Kandinsky, "Dance Curves: On the Dances of Palucca" (1926) Dancer and choreographer Gret Palucca (1902-1993) was a former student of Mary Wigman, the leading figure in German Expressionist dance. In 1925, Palucca opened her own dance studio in Dresden and developed close contacts with various Bauhaus instructors, many of whom greatly admired her dance style.

Wassily Kandinsky, "Dance Curves: On the Dances of Palucca" (1926) Dancer and choreographer Gret Palucca (1902-1993) was a former student of Mary Wigman, the leading figure in German Expressionist dance. In 1925, Palucca opened her own dance studio in Dresden and developed close contacts with various Bauhaus instructors, many of whom greatly admired her dance style.

Following the Bauhaus design philosophy, German type designer Paul Renner first created Futura between 1924 and 1926. Although Renner was not a member of the Bauhaus, he shared many of its views, believing that a modern typeface should express modern models rather than be a rivial of a previous design. Futura was commercially released in 1927, commissioned by the Bauer type foundry.

Following the Bauhaus design philosophy, German type designer Paul Renner first created Futura between 1924 and 1926. Although Renner was not a member of the Bauhaus, he shared many of its views, believing that a modern typeface should express modern models rather than be a rivial of a previous design. Futura was commercially released in 1927, commissioned by the Bauer type foundry.

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