year 8 planes and angles

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Lucian Freud Portraits

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Henry Moore - 1898-1986, English Known primarily as a sculptor, he also made wonderful drawings. His drawings of sheep are really fun to try to emulate. Look at them closely - they are made totally of scribbles. He used looser scribbles for light tones and denser scribbles for dark tones. Drawing Prints, Monoprint, Printmaking, Natural Form Artists, Henry Moore Drawings, Illustrations, Illustration Art

CS/EE 5710/6710 Digital VLSI

Henry Moore - 1898-1986, English Known primarily as a sculptor, he also made wonderful drawings. His drawings of sheep are really fun to try to emulate. Look at them closely - they are made totally of scribbles. He used looser scribbles for light tones and denser scribbles for dark tones.

Kollwitz, Kathe (1867-1945) - 1923 Self Portrait (woodcut)

Morgan Library Puts Hundreds of Rembrandt Etchings Online

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The Mothers, 1922 - Kathe Kollwitz - WikiArt.org

The Mothers - Kathe Kollwitz - - Expressionism, 1922

Dark Silence In Suburbia

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year 8 planes and angles

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Anders Zorn etching of a woman - 1860-1920

Anders Zorn etching of a woman - 1860-1920. Longer pen strokes can capture the structure and shapes of light and darkness

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Kathe Kollwitz in Berlin: the moral conscience of Germany

Kathe Kollwitz in Berlin: the moral conscience of Germany – That's How The Light Gets In

Kathe Kollowitz: The pieces shows empathy to me because you can feel the sadness emanating from the person sketched here. The harsh shadows accentuate the wrinkles and unflattering depressions in the model that hint to some type of past trauma that stripped them from their livelihood. Unique Drawings, Artist Art, Visual Artist, Person Sketch

Kathe Kollwitz’s ‘Grieving Parents’ at Vladslo: ‘Seed Corn Must Not Be Ground’

Kathe Kollowitz: The pieces shows empathy to me because you can feel the sadness emanating from the person sketched here. The harsh shadows accentuate the wrinkles and unflattering depressions in the model that hint to some type of past trauma that stripped them from their livelihood.

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Käthe Kollwitz - An der kirchenmauer / By the Church wall: Self-Portrait (Kl. 19 VIb). Original etching, 1893. Edition: from the von der Becke edition after 1931 with his drystamp. The face and hands of the subject are clearly modelled upon Kollwitz herself, making this a self-portrait, even though, according to Nagel, its inspiration was a homeless woman sitting by a church. Ludwig Meidner, Arte Dark Souls, Art Et Illustration

Ludwig Meidner

Arte Dark Souls

Art Et Illustration

Kollwitz Self Portraits

Käthe Kollwitz - An der kirchenmauer / By the Church wall: Self-Portrait (Kl. 19 VIb). Original etching, 1893. Edition: from the von der Becke edition after 1931 with his drystamp. The face and hands of the subject are clearly modelled upon Kollwitz herself, making this a self-portrait, even though, according to Nagel, its inspiration was a homeless woman sitting by a church.

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Kathe Kollwitz

'Ribble Valley' - Heather's paintings take inspiration from landscape, music and poetry, and from memories. Each painting is drawn from a stream of consciousness, often starting in landscape but moving away from representation and becoming more abstract and expressive. The free covering of the white canvas with washes of colour, govern the direction of the painting; experiences and observations become filtered and imprinted upon the picture plane over time. - www.kelliemillerarts.com Abstract Landscape Painting, Landscape Paintings, Abstract Artwork, Stream Of Consciousness, White Canvas, Tree Branches, Artifacts, Heathers, Oil On Canvas

Abstract Landscape Painting

Landscape Paintings

Abstract Artwork

Stream Of Consciousness

Heather Duncan | Paintings | Kellie Miller Arts

'Ribble Valley' - Heather's paintings take inspiration from landscape, music and poetry, and from memories. Each painting is drawn from a stream of consciousness, often starting in landscape but moving away from representation and becoming more abstract and expressive. The free covering of the white canvas with washes of colour, govern the direction of the painting; experiences and observations become filtered and imprinted upon the picture plane over time. - www.kelliemillerarts.com