Romantic Period

Collection by Tressa Evans-Salvemini • Last updated 9 days ago

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1820-1860 with a focus on 1830-1849

Tressa Evans-Salvemini

Exposition textiles et modes anciennes en Arles : Quand la Catalogne fait de l’œil à la Provence !

Institut du Grenat - L'officiel du bijou en Grenat de Perpignan et du costume roussillonnais

Cap

Embroidered muslin cap, bobbin lace flounce, initials A D in red.

1830s Underpinnings

All new, at least relatively - everything except the shift has been finished no earlier than June, I think. (I'm wearing my late 18th/early 19thc shifts with 1830s - they tend to be my default because they work with most eras!) (Ugh, the photos are misbehaving - if they look wonky in the post they should still come up alright when you click on them! Grumble grumble.) Starting from the inside out - under my corset I'm wearing aforementioned 18thc shift, and my (extremely wrinkly) 1860s…

Cap | British | The Metropolitan Museum of Art

The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. As part of

Nouvelle exposition du conservatoire du Costume Comtadin, Pernes-les-Fontaines.

Institut du Grenat - L'officiel du bijou en Grenat de Perpignan et du costume roussillonnais

Provencal costume and jewelry Museum

🔺 In accordance with government directives, cultural venues and museums are currently closed 🔺 Former residence of the Marquise de Cabris, Mirabeau’s sister, the Clapier-Cabris mansion has housed the Musée Provençal du Costume et du Bijou (the Provence Costume and Jewelry Museum) since 1997. This exceptional private collection, patiently gathered by Hélène Costa, is comprised of 18th and 19th century Provencal costumes and jewelry, including dresses, quilted petticoats, lace finery, and…

Enough to Make A Virtuous Lady Swoon • Home of the Bluestocking Belles

Lady Beauchamp, Marchioness of Huntington saw them herself. You must know it is true. She managed to avoid a swoon, but it was close.

1840's Cap II

Almost four years ago I made an attempt to make an 1840’s cap. I was tolerably pleased with the result, but now I wanted to have another go at it. When I found some nice scraps (which from the burn test I think are cotton) amongst the fabrics I was given a while back, I knew at once that they would become different kinds of 19th century caps. Quickly and not very neatly trimmed with silk ribbons - it can be made much prettier. I have looked at many more pictures of 1840’s caps since 2010, so…

Intaglio art prints: La Bouquetiere, Portraits, people and genre art prints

intaglio prints,Engraved by W Holl after a picture by A de Valentini.Size 14 x 11 inches. Ref C077A. (approx 36 x 28 cms.)

Day dress, 1830, British.

Day dress hand-made from block-printed cotton and lined with cotton, Great Britain, about 1830. Museum Number T.74-1988.

Cap Research

Yesterday afternoon I decided to do a quick post on the three basic accessories; caps, kerchiefs, and aprons. I took a few images of my caps, started to cut a new one out to show shapes, and then decided to find a few quick images for examples. That's when I realized that caps tend to be an object we always use secondary sources for. Most of my examples have been from commercial patterns, others examples, and "how-to" guides for patterning your own. So, I skipped the posting and spent some…

Period pattern class: 1830s, plus bonus historical reproduction blog

Costume Director Judy Adamson's period patterning class presented their next round of 19th century projects--1830s gowns--which is quite timely, given our next show on deck, Nicholas Nickleby ! From left: lavender gown by Amy A. Page, red gown by Shanna Parks, striped gown by Lisa Raymond Detail of…