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Modern Art "Styles"

Modern art includes artistic work produced during roughly 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era, rooted…
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Woman with a Flower Basket, 1906 ~ Frederick Carl Frieseke ~ (American: 1874-1939)
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States during the late 19th and early 20th centuries. American Impressionism is a style of painting characterized by loose brushwork and vivid colors

American Impressionism

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Childe Hassam | Broadway and 42nd Street | American | The Metropolitan Museum of Art
Childe Hassam | The Water Garden | American | The Metropolitan Museum of Art
Childe Hassam | Surf, Isles of Shoals | American | The Metropolitan Museum of Art

Cos Cob Art Colony: Impressionists

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The Heidelberg School was an Australian art movement of the late 19th century. The movement has latterly been described as Australian Impressionism.[1]
Heidelberg School, Frederick McCubbin, The Pioneer, 1904, National Gallery of Victoria
Heidelberg School, Buxton's Rooms, Swanston Street, site of the 9 by 5 Impression Exhibition

Heidelberg School: Australian Impressionism

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Evariste Carpentier
Luminism is a late-impressionist or neo-impressionist style in painting which devotes great attention to light effects
Canadian Rockies, Asulkan Glacier  Albert Bierstadt Luminism

Luminism (Neo-Impressionist style)

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Charles Warren Eaton | Tonalist landscapes painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |
LEON DABO (1864-1960)

Tonalism - 1880 - 1920, United States

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Song of the waterfall, 1937 - Nicholas Roerich
Self-portrait Kuzma Petrov-Vodkin,  Original Title: Автопортрет Date: 1926 - 1927 Style: Symbolism
Symbolism was a late nineteenth-century art movement of French, Russian and Belgian origin in poetry and other arts. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880


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Russian symbolism was an intellectual and artistic movement predominant at the end of the 19th and beginning of the 20th century. It represented the Russian branch of the symbolist movement in European art, and was mostly known for its contributions to Russian poetry
Russian symbolism - Wassily Kandinsky's emblem of the symbolic Blue Rider (1911).
Russian symbolism - Vsevolod Meyerhold in his production of Alexander Blok's Puppet Show (1906).

Russian symbolism

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3分でわかるポール・セザンヌ(3) 近代絵画の父セザンヌとパリの画塾 : ノラの絵画の時間
Vase of Flowers - Paul Cezanne


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Jean C douard Vuillard French Post Impressionist Nabi Painter Tutt Art@
Les Nabis were a group of Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890s. Initially a group of friends interested in contemporary art and literature, most of them studied at the private art school of Rodolphe Julian in Paris in the late 1880s

Les Nabis Group

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A Road in Tahiti, Paul Gauguin.
Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. Artists Émile Bernard, Louis Anquetin, Paul Gauguin, Paul Sérusier, and others started painting in this style in the late 19th century. The name evokes the technique of cloisonné, where wires are soldered to the body of the piece, filled with powdered glass, and then fired
Cloisonnism - Louis Anquetin, Reading Woman, 1890


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Paul Serusier
Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism, and later to Symbolism. The term is derived from the French verb synthétiser
Synthetist artists aimed to synthesize three features:    The outward appearance of natural forms.  The artist’s feelings about their subject.  The purity of the aesthetic considerations of line, color and form.


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Portrait of Marie Vuillard - Edouard Vuillard
Railway to the KahlenbergRichard GerstlOriginal Title: Zahnradbahn auf den KahlenbergDate: 1907Style: Pointillism


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Neo-impressionism - Henri-Edmond Cross, The Evening Air (l'Air du soir), c.1893, oil on canvas, 116 x 164 cm, Musée d'Orsay, Paris
Neo-impressionism - Charles Angrand, Couple dans la rue, 1887, oil on canvas, 38.5 x 33 cm, Musée d'Orsay, Paris
Neo-impressionism - Théo van Rysselberghe, Portrait of Alice Sethe, 1888, Musée départemental Maurice Denis "The Priory", Saint-Germain-en-Laye


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Mountains at Collioure,  Andre Derain Date: 1905
Self-PortraitCuno AmietDate: 1920Style: Divisionism
Giuseppe Pellizza da Volpedo, The Fourth Estate, 1899-1901.


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Mikhail Vrubel - Portrait of Nadezhda Zabela-Vrubel on the Edge of a Birch Grove, 1904
Alphonse Mucha - Madonna of the Lilies, 1905
The Yellow GirlsCuno AmietDate: 1931Style: Art Nouveau (Modern)

Art Nouveau

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The Vienna Secession was formed in 1897 by a group of Austrian artists who had resigned from the Association of Austrian Artists, housed in the Vienna Künstlerhaus. This movement included painters, sculptors, and architects. The first president of the Secession was Gustav Klimt, and Rudolf von Alt was made honorary president. Its official magazine was called Ver Sacrum
Egon SchieleBorn: June 12, 1890; Tulln an der Donau, Austria Died: October 31, 1918; Vienna, Austria Nationality: AustrianArt Movement: ExpressionismPainting School: Vienna Secession
Poster for the Vienna Secession, 49th Exhibition, Die FreundeEgon SchieleDate: 1918; Vienna, Austria Style: Art Nouveau (Modern)

Vienna Secession

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Mir iskusstva was a Russian magazine and the artistic movement it inspired and embodied, which was a major influence on the Russians who helped revolutionize European art during the first decade of the 20th century. In fact, few Europeans outside Russia actually saw issues of the magazine itself.
Serge Sudeikin Сергей СудейкинBorn: March 19, 1882; Smolensk, Russian Federation Died: August 12, 1946; Nyack, New York, United States Nationality: Russian Art Movement: Symbolism, Art NouveauPainting School: Mir Iskusstva (World of Art)

Mir iskusstva

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Giorgio de Chirico (Italian, 1888–1978)Title: ORESTE E PILADE , 1957Medium: oil on canvas
Luigi Ghirri: l'atelier di Giorgio Morandi
artist-dechirico: Two Heads via Giorgio de ChiricoMedium: oil...

Metaphysical art

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La Pedrera- Antonio Gaudí, Barcelona, Spain
Modernisme , also known as Catalan modernism, is the historiographic denomination given to an art and literature movement associated with the search of a new entitlement of Catalan culture, one of the most predominant cultures within Spain. It is equivalent to a number of other fin de siècle art movements going by the names of Art Nouveau, Modern,  Tiffany and etc.
Duana de Barcelona (Customs House), by Enric Sagnier)


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The Arts and Crafts

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Description of the painting by Pavel Filonov “Faces”
Nadezhda Andreevna Udaltsova was a Russian avant-garde artist , painter and teacher.
Nadezhda Udaltsova - Typewriter girl, 1910s

Russian avant-garde - 1890 - 1930

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Aestheticism is an intellectual and art movement supporting the emphasis of aesthetic values more than social-political themes for literature, fine art, music and other arts. This meant that Art from this particular movement focused more on being beautiful rather than having a deeper meaning - 'Art for Art's sake'. It was particularly prominent in Europe during the 19th century, supported by notable figures such as Oscar Wilde, but contemporary critics are also associated with the move
Dante Gabriel Rossetti,  Born: May 12, 1828; London, United Kingdom  Died: April 12, 1882; Birchington-on-Sea, Kent, United Kingdom  Nationality: British Art Movement: Romanticism, Aestheticism Painting School: Pre-Raphaelite Brotherhood
Mnemosyne,  Dante Gabriel Rossetti Date: 1875 - 1881 Style: Romanticism


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Young Poland was a modernist period in Polish visual arts, literature and music, covering roughly the years between 1890 and 1918. It was a result of strong aesthetic opposition to the earlier ideas of Positivism which followed the suppression of the 1863 January Uprising against the occupying army of Imperial Russia. Młoda Polska promoted trends of decadence, neo-romanticism, symbolism, impressionism and art nouveau
Self-Portrait  Wojciech Weiss. Young Poland promoted trends of decadence, neo-romanticism, symbolism, impressionism and art nouveau.
Red Umbrella by  Józef Mehoffer    Czerwona parasolka, 1917

Young Poland 1890 - 1918, Poland

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The Hagenbund or Künstlerbund Hagen - The Young Lovers by George Ehrlich, St Pauls Cathedral Gardens
The Hagenbund or Künstlerbund Hagen - Cover illustration of a Hagenbund i1904-1905 Joseph Urban
The Hagenbund or Künstlerbund Hagen was a group of Austrian artists that formed in 1899. The group's name derived from the name Herr Hagen, the proprietor of an inn in Vienna which they frequented

Hagenbund 1900 - 1930, Austria

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