900+ Art ideas in 2023 | art, contemporary, ruth asawa

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Art

Art from across the centuries with a focus on contemporary works.

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Icons of 20th-Century Japanese Design / Pen ペン. © Éditions de La Martinière.

Louis Reith

Vladimir Nabokov's drawing of a heavily spotted Melissa Blue, overlaid with the scale-row classification system he developed for mapping individual markings. from 'Nabokov's Legacy: Bequeathing Butterfly Theory' at BrainPickings.org #naturalist #lepidopterist #entomology #myt

Illustrations

167 Pins

The Wondrously Defiant Art of Contemporary Ceramics. Installation view of Strange Clay: Ceramics in Contemporary Art at the Hayward Gallery, London. Pictured: Takuro Kuwata, "Untitled" (variously 2015, 2016), porcelain, glaze, pigment, steel, gold, lacquer (all photos Olivia McEwan/Hyperallergic)

Sam Gilliam, “10/27/69” (1969), acrylic on canvas installation, collection of the Museum of Modern Art, New York (photo by Fredrik Nilsen Studio) Sam Gilliam, Groundbreaking Abstractionist, Dies at 88

Duane Hosein limited edition print: A Joyous Glimpse At The Fantastic And Elusive Christmas City, 2012.

Duane Hosein, illustrator extraordinaire

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Sophiline Cheam-Shapiro performing a ritual dance in front of sculptures of Cambodian deities at the Metropolitan Museum in New York (all images courtesy Sophiline Cheam-Shapiro) Met Museum Kicked Me Out for Praying to My Ancestral Gods

Sophiline Cheam-Shapiro performing a ritual dance in front of sculptures of Cambodian deities at the Metropolitan Museum in New York (all images courtesy Sophiline Cheam-Shapiro) Met Museum Kicked Me Out for Praying to My Ancestral Gods

Rose B. Simpson Embeds Ancestral Histories in Clay. Installation view of Rose B. Simpson: Road Less Traveled at Jack Shainman Gallery. Left to right: “Vital Organ: Gut” (2022), clay, twine, grout, 91 inches tall; “Reclamation IV” (2022), clay, steel, lava and bone beads, leather, grout, 88 x 15 x 13 inches; “Vital Organ: Heart” (2022), clay, twine, grout, 90 3/4 inches tall

Rose B. Simpson Embeds Ancestral Histories in Clay. Installation view of Rose B. Simpson: Road Less Traveled at Jack Shainman Gallery. Left to right: “Vital Organ: Gut” (2022), clay, twine, grout, 91 inches tall; “Reclamation IV” (2022), clay, steel, lava and bone beads, leather, grout, 88 x 15 x 13 inches; “Vital Organ: Heart” (2022), clay, twine, grout, 90 3/4 inches tall

Rose B. Simpson, "Remind" (2022), clay, steel, grout, lava beads, 66 x 35 x 15 inches (all images © Rose B. Simpson; courtesy the artist and Jack Shainman Gallery, New York) Rose B. Simpson Embeds Ancestral Histories in Clay

Rose B. Simpson, "Remind" (2022), clay, steel, grout, lava beads, 66 x 35 x 15 inches (all images © Rose B. Simpson; courtesy the artist and Jack Shainman Gallery, New York) Rose B. Simpson Embeds Ancestral Histories in Clay

Adaline Kent, “Citadel” (1955), terracotta, 12 7/8 x 19 1/8 x 6 inches (overall), Whitney Museum of American Art, New York (digital image © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY) Nevada Museum of Art Presents “Adaline Kent: The Click of Authenticity”

Adaline Kent, “Citadel” (1955), terracotta, 12 7/8 x 19 1/8 x 6 inches (overall), Whitney Museum of American Art, New York (digital image © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY) Nevada Museum of Art Presents “Adaline Kent: The Click of Authenticity”

The Sculptor Making Art With Loved Ones' Ashes. Historical and contemporary works are displayed alongside Julian Stair’s #ceramics.

The Sculptor Making Art With Loved Ones' Ashes. Historical and contemporary works are displayed alongside Julian Stair’s #ceramics.

Several of the ceramic vessels on view at Julian Stair: Art, Death and the Afterlife The Sculptor Making Art With Loved Ones' Ashes

Several of the ceramic vessels on view at Julian Stair: Art, Death and the Afterlife The Sculptor Making Art With Loved Ones' Ashes

Installation view of Julian Stair exhibition at the Sainsbury Centre (all photos by Jan Baldwin; courtesy Julian Stair) The Sculptor Making Art With Loved Ones' Ashes

Installation view of Julian Stair exhibition at the Sainsbury Centre (all photos by Jan Baldwin; courtesy Julian Stair) The Sculptor Making Art With Loved Ones' Ashes

Icons of 20th-Century Japanese Design / Pen ペン. © Éditions de La Martinière.

Icons of 20th-Century Japanese Design / Pen ペン. © Éditions de La Martinière.

Tim Hawkinson, “Möbius Ship,” (2006) wood, plastic, Plexiglas, rope, staples, string, twist ties, glue, 104 inches x 122 inches x 51 inches (© Tim Hawkinson; photo courtesy the Indianapolis Museum of Art at Newfields, Contemporary Art Society Fund, Koch Contemporary Art Purchase Fund, purchased with funds provided by Michelle and Perry Griffith) Art, Whiteness, and Empire

Tim Hawkinson, “Möbius Ship,” (2006) wood, plastic, Plexiglas, rope, staples, string, twist ties, glue, 104 inches x 122 inches x 51 inches (© Tim Hawkinson; photo courtesy the Indianapolis Museum of Art at Newfields, Contemporary Art Society Fund, Koch Contemporary Art Purchase Fund, purchased with funds provided by Michelle and Perry Griffith) Art, Whiteness, and Empire

Installation view of Mike Nelson, “Studio Apparatus for Kunsthalle Münster – A Thematic Instalment Observing the Calendrical Celebration of its Inception: Introduction; towards a linear understanding of notoriety, power, and their interconnectedness; futurobjecs (misspelt); mysterious island* *see introduction or Barothic shift” (2014), various materials (photo Matt Greenwood, courtesy the artist and the Hayward Gallery) Things Go Wayward at the Hayward

Installation view of Mike Nelson, “Studio Apparatus for Kunsthalle Münster – A Thematic Instalment Observing the Calendrical Celebration of its Inception: Introduction; towards a linear understanding of notoriety, power, and their interconnectedness; futurobjecs (misspelt); mysterious island* *see introduction or Barothic shift” (2014), various materials (photo Matt Greenwood, courtesy the artist and the Hayward Gallery) Things Go Wayward at the Hayward

Adam Silverman, “Entangled” (2018), stoneware, 20 x 16 x 12 inches (photo Matt Stromberg/Hyperallergic) The Contentious History of Frank Lloyd Wright’s First LA Home

Adam Silverman, “Entangled” (2018), stoneware, 20 x 16 x 12 inches (photo Matt Stromberg/Hyperallergic) The Contentious History of Frank Lloyd Wright’s First LA Home

The Contentious History of Frank Lloyd Wright’s First LA Home. Installation view of Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House (photo by and courtesy Joshua White).

The Contentious History of Frank Lloyd Wright’s First LA Home. Installation view of Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House (photo by and courtesy Joshua White).

Installation view of Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House (photo Matt Stromberg/Hyperallergic) The Contentious History of Frank Lloyd Wright’s First LA Home

Installation view of Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House (photo Matt Stromberg/Hyperallergic) The Contentious History of Frank Lloyd Wright’s First LA Home

Installation view of Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House (photo courtesy Joshua White) The Contentious History of Frank Lloyd Wright’s First LA Home

Installation view of Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House (photo courtesy Joshua White) The Contentious History of Frank Lloyd Wright’s First LA Home

Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula. Exhibition view: Frank Kent, Days, Karsten Schubert, London (9 February–11 March 2023). Courtesy Karsten Schubert. Franks, Kent, London, Info, Photo, London England

Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula. Exhibition view: Frank Kent, Days, Karsten Schubert, London (9 February–11 March 2023). Courtesy Karsten Schubert.

Exhibition view: Frank Kent, Days, Karsten Schubert, London (9 February–11 March 2023). Courtesy Karsten Schubert. Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula

Exhibition view: Frank Kent, Days, Karsten Schubert, London (9 February–11 March 2023). Courtesy Karsten Schubert. Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula

Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula

Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula

Exhibition view: Frank Kent, Days, Karsten Schubert, London (9 February–11 March 2023). Courtesy Karsten Schubert. Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula

Exhibition view: Frank Kent, Days, Karsten Schubert, London (9 February–11 March 2023). Courtesy Karsten Schubert. Frank Kent, 'Days' at Karsten Schubert, London, United Kingdom on 9 Feb–11 Mar 2023 | Ocula

So far to go, 2022 Mahogany, bricks, tufnol cog, steel rod, wooden drawing curves, putty, dyed wool, brass rod, copper wire, dyed cotton fabric and casein paint 125 x 138 x 78 cm 49 3/16 x 54 5/16 x 30 11/16 inches Courtesy Karsten Schubert London. So far to go by Frank Kent at Karsten Schubert London Casein Paint, Steel Rod, Cogs, Bricks, Copper Wire, Mahogany, Curves, Exhibition

So far to go, 2022 Mahogany, bricks, tufnol cog, steel rod, wooden drawing curves, putty, dyed wool, brass rod, copper wire, dyed cotton fabric and casein paint 125 x 138 x 78 cm 49 3/16 x 54 5/16 x 30 11/16 inches Courtesy Karsten Schubert London. So far to go by Frank Kent at Karsten Schubert London

Go on, 2022 Fumed, lacquered and eboniesd oak, lead, wire, shellack, oil paint, paper, gouache, wool, pins, beads, tufnol, drawing curves and honesty 76 x 87 x 56 cm 29 15/16 x 34 1/4 x 22 1/16 inches Courtesy Karsten Schubert London. Go on by Frank Kent at Karsten Schubert London

Go on, 2022 Fumed, lacquered and eboniesd oak, lead, wire, shellack, oil paint, paper, gouache, wool, pins, beads, tufnol, drawing curves and honesty 76 x 87 x 56 cm 29 15/16 x 34 1/4 x 22 1/16 inches Courtesy Karsten Schubert London. Go on by Frank Kent at Karsten Schubert London

Bye, 2022 Oak veneer, walnut veneer, sapele, oak, lead, wool, wire, dried poppies and drawing curve 57 x 71 x 30 cm 22 7/16 x 27 15/16 x 11 13/16 inches Courtesy Karsten Schubert London. Bye by Frank Kent at Karsten Schubert London Sapele, Walnut Veneer, Artwork, Work Of Art, Auguste Rodin Artwork, Artworks

Auguste Rodin Artwork

Bye, 2022 Oak veneer, walnut veneer, sapele, oak, lead, wool, wire, dried poppies and drawing curve 57 x 71 x 30 cm 22 7/16 x 27 15/16 x 11 13/16 inches Courtesy Karsten Schubert London. Bye by Frank Kent at Karsten Schubert London

A good day, 2022 Ash, pine, lime, oak, sapele, lead, wool, sequins, card, gouache, lacquered lid and honesty 62 x 52 x 30 cm 24 7/16 x 20 1/2 x 11 13/16 inches Courtesy Karsten Schubert London. A good day, 2022 by Frank Kent | Ocula Royal Academy School, Wall Drawings, Minimalist Artist, Photograph Display, Chalk Wall, Geometric Sculpture, Vanishing Point, Piece Of Music, White Chalk

Royal Academy School

Minimalist Artist

Photograph Display

Geometric Sculpture

Vanishing Point

A good day, 2022 Ash, pine, lime, oak, sapele, lead, wool, sequins, card, gouache, lacquered lid and honesty 62 x 52 x 30 cm 24 7/16 x 20 1/2 x 11 13/16 inches Courtesy Karsten Schubert London. A good day, 2022 by Frank Kent | Ocula

Martin Wong, Tell My Troubles to the Eight Ball (Eureka) (1978–81). Acrylic on canvas. 121.9 x 121.9 cm. © Martin Wong Foundation. Courtesy the Martin Wong Foundation and P·P·O·W, New York. Martin Wong's Lasting Legacy at KW Institute for Contemporary Art | Advisory Perspective | Ocula Social Realism Art, Mexican Ancestry, Elaine De Kooning, Deep Foundation, Art Basel Miami, Yayoi Kusama, Vermeer, Contemporary Art Gallery, Black Artists

Social Realism Art

Mexican Ancestry

Elaine De Kooning

Deep Foundation

Art Basel Miami

Contemporary Art Gallery

Martin Wong, Tell My Troubles to the Eight Ball (Eureka) (1978–81). Acrylic on canvas. 121.9 x 121.9 cm. © Martin Wong Foundation. Courtesy the Martin Wong Foundation and P·P·O·W, New York. Martin Wong's Lasting Legacy at KW Institute for Contemporary Art | Advisory Perspective | Ocula

Martin Wong's Lasting Legacy at KW Institute for Contemporary Art | Advisory Perspective | Ocula Contemporary Art Daily, Berlin

Contemporary Art Daily

Martin Wong's Lasting Legacy at KW Institute for Contemporary Art | Advisory Perspective | Ocula

From below, the leaves of the tree create a rough map of Brooklyn neighborhoods with BPL branches. Photo by Gregg Richards/Brooklyn Public Library New Sculpture Unveiled at Brooklyn Heights Library | Brownstoner

From below, the leaves of the tree create a rough map of Brooklyn neighborhoods with BPL branches. Photo by Gregg Richards/Brooklyn Public Library New Sculpture Unveiled at Brooklyn Heights Library | Brownstoner